First order of business is to define the circumference of the performance circle. How big can the circle be before those beams obstruct the player's ability to see each other?
The new riser gets placed and tested. A reality check on the proximity to the beams is necessary. Can the players move freely without banging a headstock or guitar body into a beam?
Our theme song for the evening may as well have been 'Getting to Know You' as the room became familar with us and we with it.


The lone riser gets placed nearest the entrance so we can see/feel the affect on an arriving member of the audience.
Next we sprinkle some chairs into the place to imagine the audience in the space.
Lots of opportunities and challenges to play with in the handful of weeks that lie between now and the first show of the season.
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